Kurt Nemes' Classical Music Almanac

For today’s piece, I have chosen Erik Satie’s Parade. Satie supposedly started as a bar room pianist whose work caught the attention and was championed by Debussy. His earlier compositions were stripped down and economical, which style was a reaction agains the overblown works of Wagner. Though sparse, his works were in no way simplistic and reflected the complex tonal qualities of the impressionists like Debussy. Some of his pieces, like the famous Gymnopedies are strikingly haunting and affecting.

But Satie knew he was under-educated, and in his 40s, he began studying composition under d’Indy and Roussel. From this period comes today’s piece, the music for the Cubist ballet, Parade. The mere description of this piece makes my head swoon–music by Satie, sets and scenario by Pablo Picasso and Jean Cocteau, and staged by Sergei Diaghilev, the empresario of the Ballet Russes. The piece is designed to tweak the bourgeois…

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